The versatility I look for in music nourishes my life, allowing me to look at feeling, emotion and intuition from a holistic and explorative perspective, tracing the path of my inner journey.
I have been composing music since 1995, creating soundtracks for events, films, documentaries, narratives and immersive installations, museums, optical theaters, theater, dance and audiobooks.
I have composed for major national and international productions, for public and private entities, for prestigious artistic personalities like Carlo Rambaldi, Oscar Winner for ET, Alien, King Kong and Flipper Music e Aulicus Classics.
Since 2017 I am the Art Director of the label Aulicus Classics.
Since 2004 ve I have worked as Producer with several record companies, including Brilliant Classics, for which I oversaw the music and post-production artistic direction for several recordings, with orchestras and internationally acclaimed artists, including Daniel Oren, Hui He, Luciana D 'Intino, Renato Bruson, Leo Nucci, Carlo Striuli and others.
my first instrument. At first it was just a straw beater which triggered my imagination . Then finally a small Eko came along as a gift. Its sound won me over immediately. I was lucky enough to study guitar several years later with Sergio Notaro, one of the most valuable teachers encountered during the course of my artistic life.
followed a different course, perhaps less instinctive, but extremely intense. With the flute I got a degree from the Santa Cecilia Conservatory in Rome. It has allowed me to grow musically and to develop an extensive career as a concert performer.
a result of experimenting and playing. With my instruments, in addition to the standard studies and classical scores, I have always loved to freely improvise, giving shape to an innate instinct that thrills in mixing tones, sounds and colors, to express my astonishment toward the world.
it has expanded my artistic vision by exploring the narrative potentials of the scores and the entire array of musical instruments.
it challenged me to break the mold of the traditional melodic overtones with which I was raised and spurred me to look for a way out from my classical vision of the expressive narrative. I have a degree from the Conservatory of Santa Cecilia in Rome.
A heartfelt thanks to the teachers who have accompanied my musical growth: Marianne Eckstein for the flute, Dominic Losavio for ensemble music for wind instruments, Gianfranco Plenizio for the direction and composition, Giorgio Nottoli for electronic music, Fabio Fasano for the guitar.
Lecturer of Music for wind instruments ensemble:
from 2021 to today at the San Pietro a Majella Conservatory of Music in Naples;
from 2012 at the Conservatory of Music G. Martucci of Salerno;
Lecturer of Music Composition applied to images:
Lecturer of Audio-Video Applications:
Lecturer of Composition and multimedia art installation:
Lecturer of Technology and technique of shooting and recording:
Lecturer of Technology and technique of assembly and post production
Lecturer of Technology and technique of amplification and sound reinforcement:
Lecturer of Systems, technologies, applications and programming languages for multimediaity:
Lecturer of Wind Orchestra Conduction:
IONISATION
Edgard Varèse
Live concert - 24th may 2000
for "A hundred percussions and winds"
SYMBOLA PERCUSSION ENSEMBLE
Conservatory of Music C. G. Da Venosa of Potenza Orchestra
Conductor
Rosella Clementi
MUTHUSWAMI DIKSHITAR IN MEMORIAM
Riccardo Nova
Live Concert 24th may 2000
for "A hundred percussions and winds"
SYMBOLA PERCUSSION ENSEMBLE
Conservatory of Music C. G. Da Venosa of Potenza Orchestra
Conductor
Rosella Clementi
Live concert “Cabiria nighs”
Teatro Stabile - 20th november 2005
I BASILISCHI Conservatory of Music C. G. Da Venosa of Potenza of Clarinets
Transcrips and Conducting
Rosella Clementi
SONATA INEDITA A FLAUTO SOLO
Benedetto Marcello: “ La XIII sonata”
Rome, 2002
My compositions take shape through different musical languages, from the traditional timbral suggestions to the lyric-symphonics and contemporary, from the technological shades to the archaic and sensorial echoes of ethnic and folk music.
which I seek to evoke emotion, surprise, memory, adherence to the soul of the telling, to the territory, its people and its architectural space.
with which I strengthen the expressive and creative aspects, through the dissemination in multi-channel, to give back to the audience an enveloping and emotional atmosphere.
This activity, I have been doing since 2000, has allowed me to work with major record companies (Brilliant Classics, Tactus, Feltrinelli) and to get in touch with many musicians whose expertise and stylistic human have enriched my path of artistic growth.
I am very grateful to this art direction and post-production activity, which allows me to constantly refine the musical taste, sharpen the ear and develop a meticulous attention to sound details, which is essential either for my career as a musician and for the creation of high quality record productions.
Since 2020 I have been Artistic Director of the Aulicus Classics record label. https://www.aulicusclassics.com/
my brother
for initiating me to the study of music and the first flute as a present
TRANSPERSONAL PSYCHOLOGIST
a guide in life and a teacher for my inner growth
apt basilicata general director
an artistic partnership that renews itself for years in new and highly creative artistic projects
author AND DIRECTOR
a special understanding made of sensitivity, visions and poetry
COMMUNICATION STRATEGIST
inspirator of the creative concept of the site, coordinator of the realization and copywriter of the contents
PHOTOGRAPHER
a glance that has been able to penetrate the soul and the mystery
web programmer
a good and valuable interpreter between me and the algorithms technology